• TERTIARY Colours—olive And sage, ochre, terra cotta and russet, peacock blue—were favored, a palette affected by William Morris’s revival of medieval formulas, and with the subdued but apparent tones of Japanese woodblock prints. The Japanesque was not surprisingly propelled with the “opening of Japan” by Commodore Perry’s celebrated check https://www.watchesworld.com/exploring-the-aesthetics-of-dial-design-and-decoration/